Monday, March 30, 2009

5 Unique Patch Programming Tips For Music Productions

By Matt Palmer

Utilising Other Synthesizers Techniques You can in reality modulate the wave form of an oscillator by setting the LFO which is utilising the primary concepts of wave tables. If youre to change your oscillators over to sin waves, then the next thing you could do, is to set up the octaves so they are separated from each other. This is an important component for organ sound emulation but it genuinely is a primary form of additive synthesis.

What are the options for SFX Patches? A couple of ways're available for creations of sound effects. Simply like the proper use of envelopes and effects guides you to what you're looking for. And then you may want to consider FM waveforms or some other noise sources. One of the most prominent features of the effect patches is the use of non tonal oscillator waveforms. Don't forget that you SFX patches offer several choices .

How You can Utilize Multiple Filters If you want something useable to warm up the digital sounds then consider the fact that external sound filter units could produce some very fascinating effects on the end of a signal chain. Most of the up to date synthesizers would even have a multimode, but at the very least will have 2 independent filters as part of their features. You could make use of these in two ways. You can use them by arranging them in sequences or they could be used in parallel. Say you play around with band pass and notch filter, which really are special filter modes, you would get several special effects. you can also try sending a different oscillator to a different filter.

For Big Sound Complexity try lateral thinking Say you want to add a few extra pizzazz to shorter sounds as well as create a few long slow ones, then try layering them. Large complex sounds take a couple of lateral thinking. If you layer multiple patches as the attack grows then disappears after each other, then you'll get modulating sweeping pad sounds.

Specialized LFOs Effects Let's assume you dont have the right oscillator waveforms to create that FM style type sound that you require. Theres something you could do to compensate for not having it. Setting the rate as fast as you possibly could, then set the LFO to modulate the stereo-panning. This implies you would have to utilize a square wave. Other function you have available to you is the sample and hold function. A lot of people tend to miss this, so make sure you make use of it.

In addition to every of the above take some-time to go through your on board presets. Theyre sure to inspire you into the right direction. These were prepared by professionals in the field of synth, so they know what they're doing. When you come across one that actually appeals to you inspect it thoroughly. Check how the sound was made and capture the techniques on your own creations (patches)

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